FESTIVAL OF NEW CHOREOGRAPHY AT THE ROYAL BALLET

For the first time ever, the curtains rose on four innovative new ballets at the Royal Opera House. The performances featured African music, futuristic costumes and bold movements. Each piece was unique and pushed the boundaries of traditional ballet. The show aimed to give talented choreographers a chance to fully express themselves and offer something different to the classics we are used to.

 

The evening kicked off with “Boundless” by the award-winning choreographer, Gemma Bond. Inspired by the freedom of child’s play, the dance was energetic and exciting. The display was enhanced by sleek blue and black costumes.

 

Next up was the quirky performance of “Never Known” by the young Dutch choreographer, Joshua Junker. The dimly lit stage created a darker mood and the pastel, pyjama-like costumes were far from the stiff tutus of past ballets. The group moved as one body, coming together in synchronised formations.

 

Brightening the stage with golden, glowing light and vibrant costumes was Mthuthuzeli November’s For What It’s Worth. The work was inspired by Miriam Makeba who is known as Mamma Africa and sought to celebrate African dance and music.

 

The show ended by reprising some known classics such as Twinkle, Twinkle Little Star and Brahm’s Lullaby. The pieces were played live from a grand piano that towered over the stage from a raised platform. 

 

The Royal Ballet clearly hope to revive the fading art of ballet performances for generations to come. This was reflected in the accessible ticket prices ,starting from just £3.00. The opening night on the 15th February was a huge hit with packed seats and captivated crowds.