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Most read Comments 1 Fatal sabbing in Oxford Street 2 LEWISHAM: 'No racial or gang element' to killing 3 Oyster extended to FGW services 4 CROYDON: Dad attacked while buying ice-cream for daughters 5 Mother appeals for help to find missing artist 6 Win a new spring wardrobe worth £500 from Evans 7 ELMBRIDGE: PCSO taking on cancer 8 HILLINGDON: Restaurant blaze was arson 9 Orient legend Lockwood unlikely to be coming home 10 Vicar sees red over 'hot' Gladiator Today | 7 Days 1 HARROW: Blast area declared crime scene 2 BNP member: 'I'm here to stay' 3 Stab victim was car thief 4 Killer ladybirds in the capital 5 WALTHAMSTOW: "Gas mask" hoodies for children on sale 6 Emergency services accused of brutality on Chessington teen 7 Children must apply for travel photocards 8 Vicar sees red over 'hot' Gladiator 9 Transport booze ban to start in June 10 CCTV not cutting capital's crime, says police chief

Comment

WITH a change of record label and a host of personal problems since the release of You See Colours in 2006, you could be forgiven for assuming that Delays may have lost some of the happy-go-lucky qualities that endeared them to their fans.

However, right from the first track, Girl's On Fire, it is clear that the Southampton band have gone for a sound that is bigger, bolder and more stadium-worthy than ever before.

The perfect harmonies are still there, but vocals from keyboardist Aaron on four tracks (most notably One More Lie In) make the record a little quirkier and rougher around the edges.

Delays' strongest point has always been reaching out on an emotional level. Everything's The Rush manages to both retain this appeal and make you want to turn the speakers up.

5:08pm Friday 9th May 2008

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