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Most read Comments 1 Reward to catch Sally Anne's killer 2 Win a new spring wardrobe worth £500 from Evans 3 BEXLEY: Row over engine house’s road plan 4 CROYDON: Boris backs Croydon regeneration 5 BARNET: Flooding causes a ‘five-day nightmare’ 6 Lawrence Centre damage: No charges 7 CHINGFORD: Miracle baby defies doctors 8 18M 'will lose out over tax cut' 9 Woman 'sprayed cop with breast milk' 10 Top level review over Mill Hill murder Today | 7 Days 1 REDBRIDGE: Pro-booze campaigners to hold 'party protest' on tube 2 BROMLEY: Outrage over killer's day release 3 Boris bus-ts Croydon yobs 4 BNP member: 'I'm here to stay' 5 WANDSWORTH: Dead on loo for one-and-a-half years 6 Latest: Investigation launched after plane crash lands at Heathrow 7 Lawrence Centre damage: No charges 8 WANDSWORTH: Firefighters fume after toilet rescue 9 Graffiti artist, 15, follows in Banksy's footsteps 10 LEWISHAM: Teenager guilty of care worker's murder

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WHAT with movie hit Juno being liberally laced with Moldy Peaches tunes, young Master Green's stock is riding pretty high for the moment. Not that it was exactly slacking as this, his fifth, solo album amply verifies. Whether imploring Be My Man or observing Cannot Get Sicker, Green always sounds like he's singing with an eyebrow raised in wry abandon.

He even gets away with calling one track Twee Twee Dee. And another Drowning Head First.

Jazzy indie pop sits comfortably alongside big-lunged soulful chorus wailing (Getting Led is a belter) and even a bit of showtunery that Rufus Wainwright would be proud of; while Morning After Midnight should raise rafters.

More restrained than the in-jokery of earlier albums, Sixes and Sevens gets my vote.

10:47am Friday 14th March 2008

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